Lead (Chelsea Piers), 2017

This interaction made on a site-specific sculpture within The Chelsea Piers aims to reactivate the history of this particular space as a site of queer memory and resistance by erotically engaging with these phallic looking objects from the present. I also take into consideration the ideas on toxicity and queerness posed by Mel Chen in Toxic Animacies, Inanimate Affections (2011).

Lead (Chelsea Piers), 2017


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