Kevin Quiles Bonilla

  • Statement
  • Photography / Printmaking
    • islotes, 2024-Present
    • Sand prints, 2024-Present
    • Photo Memories of the In-between, 2023
    • Con la arena hasta la cabeza, 2023
    • Self-portrait (con la arena hasta la cabeza), 1997/2022
    • Self-portrait of a young jíbaro, 1996/2021
    • Untitled (Exposure therapy documentation), 2002/2021
    • Carryover (Blue Tarp Series), 2018-Present
    • Edge (Colonial Wall), 2018
    • Ungrounded, 2018
    • No Hay Huracán Que Nos Detenga, 2018
    • In Between (Nié), 2018
    • Interventions on Three Benches, 2016-17
  • Videos / Actions
    • Tanning Performance, 2022
    • Untitled (Sábado Gigante), 2021
    • Through her, 2020
    • Unearthing through many, 2019
    • Presidential Alert (America, Lip-sync for your Life), 2018
    • Study of Piles, 2018-Present
    • Lead (Chelsea Piers), 2017
    • Industrial Silhouette (Beach), 2017
    • Colonial Wall Push, 2016
    • Untitled (How to PowerGrab), 2016
    • Untitled, 2015
  • Sculptures / Installations
    • RESPIRO, 2023
    • For centuries, and still…(anticipated completion), 2022
    • A tropic squall blew in, while you dried in the sand, 2022
    • Pal’ campo, 2022
    • While you dried in the sand, 2021
    • …is a hurricane, 2021
    • To absorb and contain, 2021
    • Under the Stratum/Skin (Industrial Piling), 2018
    • (Piled Up) Series, 2016
  • Bio / CV
  • News

Video / Actions

Tanning performance, 2022

Untitled (Sábado Gigante), 2021

Through her, 2020

Unearthing through many, 2019

Presidential Alert (America, Lip-sync for your Life), 2018

Study of Piles, 2018-Present

Lead (Chelsea Piers), 2017

Industrial Silhouette (Beach), 2017

Colonial Wall Push, 2016

Untitled (How to PowerGrab), 2016

Untitled, 2015

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